Inspiro and Furry Lease

How do you get from hear to they're? Do you synonymise your weigh around? Maybe your antonym, your mother's sister, has an answer, two?

I have used a variety of keyboards to make myself heard. 88 ivory keys. Three-octave plastic keys. Matias half-keyboard. The basic rows of QWERTY chicklets. Do you find yourself drawn to a particular type? Have you fallen in love with your thumbing so much that you bought a thumbing keyboard for your PC or laptop?

I don't think outside the box. I riff on the tissue box called my head. The landscape thinks for me and I write down its rhythms. Spiro Agnew. Wynton Marsalis. Lorca. Mao. Paine. Nancy. Soros. Beethoven. L'il Abner. Little Orphan Annie. Oprah. McNamara. Drew.

The web of life has no filaments, no silk threads. Plants don't see the breeze that spreads their pollen.

What if the Pope and the Dalai Lama toured China together? What if Warren Buffett and Mahmoud Ahmadinejad toured Israel together?

The magnifying glass of these "modern" times focuses a beam of light on a dry leaf. I can't stay on one spot for too long or else the leaf will smolder and burn. The pages of history are tinder to the touch.

Language-specific jokes don't translate well. Thus, I wander in and out of these hieroglyph remnants, posing questions, posing and posturing. Suppose. Support hose.

Denying doesn't stop the past from existing. Recording doesn't stop the past from being distorted. Thus, I wander in and out of time, history no placeholder for this ambulatory book.

In business, I see connections in "Working Girl," WSJ, FT, Pollution Engineering, T. Ferriss, Atatürk, Tata, Slim, Dubai and Shanghai. Rely on devoted hobbyists to tell the true story. Not experts expert in retaining their titles, no matter who confers them.

The web between my thumb and forefinger. The web between my eyes and keyboard. The web blowing in the breeze, building vacuums under the eaves. Invisible. In plain sight.

We connect because we want to connect. We run into each other because we're running.

I don't buy because you sell. I try because I want to see what it does. Is what it does what it is? Is a working stiff stiff from working or dead on its feet? Will Marsalis premiere a piece like John Adams' Chamber Symphony or George Gershwin's Rhapsody In Blue? Will rail traffic transform because of Buffett's interest or will Buffett's fortunes change because of commercial transportation transformations?

I have a new box of pencils. Time to read more adventures in the Book of the Future!